The Beauty of Film / The Dynamic Range of Modern Sensors.
Precision Film Emulation
In an ACES Pipeline
Grade Once – Render any Delivery
56 Film Profile LUTs ( ACEScct IN & OUT )
25 Special Process LUTs ( Pushed, Pulled, Flashed, Silver Retained, X-Process, etc. )
PIPELINE is a collection of some of the finest Film Profiles in post production. The pixel perfect Film Response LUTs live inside the massive ACEScct AP1 working space.
The result is a painterly image flawlessly mastered.
Deliverables for Theatrical, Television, Commercial, Netflix, Amazon, Music Video, Web, et cetera, can all be output from one grade.
Change the output mapping to your delivery spec and render.
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Filename:LUTS CineGrain – FILM Pipeline CUBE 3DL vfxMed.zip [1.3 GB]
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For those who don’t know how to use them correctly, here’s an example for DaVinci:
1) Set the loot the same way as the others;
2) These loot are for the ACES AP1 color space and ACEScct gamut, so if we’re working in the wide gamut of DaVinci (or others), create a CST node where we switch to ACES AP1 and ACEScct from the timeline parameters;
3) Set the loot from Films;
4) Next, set (optional) one or more Process processing loot;
5) Create a CST node where we switch back to the timeline parameters from ACES AP1 and ACEScct.
6) That’s it.
P.S. If you forget what parameters to set, these same ACES AP1 and ACEScct are indicated at the very beginning
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