CinePrint35 is a collection of PowerGrades & LUTs for Davinci Resolve and other NLE software that allows filmmakers and colorists to accurately recreate 16mm and 35mm celluloid film looks. The film emulations were developed by Los Angeles based cinematographer Tom Bolles following an extensive camera test of various film stocks and digital cameras shot in January, 2023. The film was developed and scanned at Fotokem, the very same film lab that all major productions shooting on film in LA go to, ensuring the photochemical & scanning color science of the emulations is of the highest, industry standard quality.

CinePrint35 includes 16mm & 35mm presets of 3 different film stocks, while the node trees remain fully customizable to suit the needs of any project.

Compatibility
All components of the grade are 100% native to Davinci Resolve. No additional plug-ins or resources required. There is also a LUT version compatible with other editing software like Premiere & FCPX.

The PowerGrade is compatible with both the MacOS and Windows versions of Davinci Resolve.

Included are custom-tuned preset PowerGrades for the following cameras & log profiles:

ARRI LogC3 cameras

Apple Log (iPhone)

Sony S-Log3 cameras

Blackmagic Design Film Gen5 cameras

RED IPP2 Log3G10 cameras

RED IPP2 Log3G10 (Komodo tuned)

Fuji F-Log cameras (New profile support! Added August 2024)

Fuji F-Log2 cameras

Canon C-Log cameras (New profile support! Added August 2024)

Canon C-Log 2 cameras

Canon C-Log 3 cameras (New profile support! Added August 2024)

Panasonic V-Log cameras

DJI D-Log cameras (New profile support! Added August 2024)

Also included are PowerGrades designed for:

Rec.709, non-log footage

Profiles not listed above are supported by the ‘CAMERA CST’ preset using Resolve’s Color Space Transform OFX.

Examples include: Sony S-Log2 with Sony S-Gamut, Nikon N-Log with Rec.2020 color space, and legacy Blackmagic color science

Features and FILM STOCKS
The grade implements visual features of celluloid film such as halation, rich and nuanced saturation, subtractive color mixing, highlight rolloff, gate weave, grain, and dust.

Every feature within the node tree is fully customizable.

The film stocks profiled were:

Kodak Vision3 500T

Kodak Vision3 250D

Fuji Eterna Vivid 160T

The Fuji stock was discontinued over a decade ago, is hard to find well-preserved, and is impractical to shoot at scale today. The emulation helps keep the photochemical color science of this stock alive by making it accessible to a new generation of filmmakers.

What You Get
The PowerGrade version’s digital download comes with 500T, 250D, and 160T film emulation PowerGrades for 14+ supported cameras & log profiles, plus On Set Monitoring LUTs, and an in-depth User Guide pdf.

The LUT version’s digital download comes with 500T, 250D, and 160T film emulations in .cube LUT format for 14+ supported cameras & log profiles, all available in x33 and x65 LUT sizes, plus On Set Monitoring LUTs, and a PDF About manual. 

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