By | September 17, 2024

Keying, tracking, cleanup, and visual effects compositing, right inside of After Effects.

After introducing anamorphic lens support to Real Lens Flares earlier this year, VFX 2023.4.0 makes Real Lens Flares available in Premiere Pro. Additionally, Supercomp now provides more realistic and beautiful Light Wrap, Reverse Light Wrap and Diffusion effects with more creative control.

REAL LENS FLARES
SUPERCOMP
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COMPOSITE
VFX offers a powerful toolkit for realistic visual effects composites in After Effects. With Supercomp, light and atmospheric effects interact with all of your layers and the elements of a scene in a far more natural way than can be modeled with a simple stack of 2D layers. Lens Distortion Matcher makes it easy to match any camera lens, whether it’s wide angle, fisheye, GoPro or anything else, so your composited elements fit perfectly into your shot. VFX also includes tools for adding shadows and reflections that speed up some of the essential parts of creating a professional composite.

CHROMA KEY
VFX gives you fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer can regularly pull a perfect key with a single click. Primatte’s cleanup tools help turn even the most difficult shots into solid and professional composites. Take your chroma keying results even further by using Primatte in combination with Supercomp’s post-keying tools.

VFX 2024.1 now features obscuration and a Light Ball core projection option. As groundbreaking as Real Lens Flares itself, obscuration allows you to add fully integrated flare effects to any shot! Light Ball core projection gives flares a physical presence in the scene, and VFX Spot Clone Tracker helps you improve your tracking game with a new Tracker Only feature.

REAL LENS FLARES
SPOT CLONE TRACKER

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